Who will be Miss Brexit? The one who abandons her nature and replaces "honesty with etiquette". Do you want to stay in Britain? Act like the Brits in the media, but not the way they behave in real life.
Young people with different accents, temperaments, and life experiences. Their birthplaces are scattered all over Europe, yet they are all in the same place - the Miss Brexit London pageant. The contestants try to convince viewers of their commitment to the UK so they can continue to live the British dream. However, only one of them can win. What does one have to erase from one’s life to become someone different and 'better' - to become British? An existential journey towards stability and better opportunities, but one that forces self-denial, is presented by students from the London College of Music, University of West London, in Miss Brexit at the Husa na provázku Theatre.
The Earthquake Concert by the Austrian ensemble Max Reinhardt Seminar presents three short biographies, three human lives, connected (in addition to their philosophy of life) by the common time in a mental hospital.
Dalším z workshopů středečního programu byl Nový cirkus a párová akrobacie, který skrze pohyby a emoce propojil účastníky festivalu.
Our identity is partly formed by our nationality, our local culture, and the social and historical context in which we grew up. In a way, these represent us – even more so in the context of an international festival. And this is something that needs to be used in the theatre.
Súčasťou našej identity je aj naša národnosť, naša domáca kultúra a súvislosti, v ktorých sme vyrastali. Tie nás istým spôsobom reprezentujú – o to viac v priestore, akým je medzinárodný festival. A to predsa v divadle treba využiť.
Inscenácia The Earthquake Concert rakúskeho súboru Max Reinhardt Seminar prináša krátku biografiu troch ľudských životov, ktoré spája (okrem životnej filozofie) spoločný pobyt v psychiatrickej liečebni.
Aký je najkrajší dar, ktorý ste kedy dostali? A čo ten najhorší? Do ktorej kategórie by ste zaradili svoj život? Viedenská inscenácia The Earthquake Concert predostiera problematiku ľudského života, ktorý je síce darom od Boha, no zároveň je tým najhorším, čo mohol človek dostať. Množstvo problémov či vnútorných démonov sprevádzajú ľudské bytie už od nepamäti. Dá sa ich ztriasť? A ako sa z toho všetkého už naveky vyliečiť a žiť svoj život bez vnútorných zemetrasení?
A performance-oriented society forces never-ending production. Can we not only focus on economically profitable performance, but also look at other aspects of life, as well? The performance Cannibals has stirred up a topic that is extremely relevant at the moment.
